The candis of Gunung Kawi are believed to
be constructed in the 11th century (1080 AD) by king Anak Wungsu in
honor of his father and devided into three separate sections. Four minor
candis can be found at one side of the river, five major ones at the
other side and, often overlooked by visiors, a tenth candi a little laid
back from these major and minor clusters. There is evidence that the
candis were probably once protected within two massive rock-hewn
cloisters. In shape the candis resemble small buildings surmounted by massive three-tiered roofs bearing nine stylized lingam-yoni
fertility symbols. Each candi actually looks like a doorway, carved in
relief, but going nowhere. Instead, there is a small chamber beneath the
candi, accessed by a sloping shaft from the front, in which a stone
plaque (peripih) with nine holes containing symbolic offerings
of food and metal objects, representing the necessities of earthly
existence, was placed.
| The Candies of Gunung Kawi |
Above each doorway is a panel that bears
an inscription, written in the striking quadrate script that briefly
characterized East Javanese Kadiri monuments during the 11th Century.
Although few decipherable remnants have survived, this provides the
clearest evidence of when Gunung Kawi was constructed
Symmetrically flanking the candis are
large spaces, often divided into three sections by pillars. Some exceed
eight meters in length by three meters deep, with lofty, vaulted
ceilings rising to more than two and a half meters in height.
Furthermore there are 34 other rock-hewn structures in the area.
Also there is evidence that provisions
have been made in its construction for water to be directed towards the
candis, and from there into sluices and spouts. As in Balinese Hinduisme
it is believed that when water has flowed over a candi it has become
imbued with divine properties through contact with the essence of the
resident deity, this accounts for the fact that even today Gunung Kawi
remains an important source for the holy water that has always been
central to Hindu Balinese rites.
Apart from the candis themselves, there
are room-like structures that all share certain common features. These
structures may be classified into three types. The simplest of these
chambers comprises a single space. Next come similar spaces, which also
have leading from them a second, closed chamber. The third category
consists of in total ten chambers that are closed off by a front wall
that has both a central doorway and an elongated horizontal window
opening. They also have a closed chamber with a deeply incised false
window niche that is symmetrically placed to match the real window. Many
of the closed side chambers possess remarkably resonant acoustics,
perfect for spiritual meditation intended to tune in to specific energy
vibrations.
The candis however are still surrounded
with mystery in respect with their actual, intentional purpose. It is
very tempting to assume that at the time of their construction these
structures were designed for pure spiritual purposes, as opposed to the
Hindu rituals of today which are generally performed and attended for
the sake of the ceremonies themselves, and its rich symbolism generally
interpreted literally instead of traced back to its true, spiritual
meaning
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